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Raised on the streets of Jack-town. We realized early on that our dreams would be our road to Living the Dreamlife. Creating the very dream in which we exist.
Anything can be achieved. Follow Your Dream, Live Yours!!!
We started this page on 11/1/11. Dreamlife is headed to #1. Destiny!!!
We’re gonna post a hundred songs in one year. Enjoy.
Most tracks are Mix tape instrumentals. No credit is taken for anything otherthan lyrics and structure.


Original song , “Poor Johnny” by: Dreamlife – J Governor




Imani Chyle


Imani Chyle is Takin’ Over -

If you’re searching for the latest in hot and fresh artists, look no further, as Imani Chyle is about to explode onto the musical scene in a captivating, honest fashion sure to dazzle and entice fans everywhere. Mixing up a veritable melting pot of musical styles such as hip hop, rock, and soul, Imani Chyle serves up a little something for everyone to enjoy, songs such as “Soul and Rock N Roll,” and “Doin’ It My Way,” both written by Chyle, is sure to infectiously spread throughout national airwaves.

Imani Chyle

Born and raised in Houston, Texas’ fifth ward, Imani Chyle is no stranger to the world of music. She was introduced to the scene in the mid to late 90’s as a hardcore female Rap-Duo forming the group 2Aggrivated, and she has performed and opened for many well-known artists. Imani Chyle discovered her love for singing and performing at the tender age of 5-years-old and survived on the streets as a young mother for most of her teenage years. Her name defines the persona, representing faith and the elements which complete her consciousness, healing, perseverance, and love for God.

Using music as a lifelong outlet, she honed her skills through endless writing and rap battles, under the name MC Bytch, eventually inking a deal with Profile Records. Her debut album, under the Rap-Duo was never released under Profile due to, management and label difficulty, but she never gave up. Using her fascinating life story and years of industry experience, Imani Chyle has defined herself and her voice and is on her way to becoming a new voice for today’s women; writing starkly real and inspiring music capable of evoking everything from pain to joy.


She ambitiously launched her own indie label, Mos Records as an outlet to release her recordings while retaining artistic integrity and control, which shines through in the bursting, appealing melodies running deep throughout her songs. Imani’s music Co-Produced by noted Atlanta producers, Monyea Crawford and Richard Rollie of LoveChild Productions, Tokyo Disco Kid, Mali Boi & So For Real Productions is innovative and fresh, and manages to straddle all sides of the Fusion spectrum at once–creating an ideal musical experience.

Influenced by everything from Marvin Gaye to Annie Lennox, U2 to UGK, Chyle devises songs with starkly relatable material; her Alto voice is piercing backed by skillful songwriting, emotional vocals, well-crafted beats, tight harmonies, and first-rate musicianship. With limitless potential, Chyle designs her songs with universal appeal, and attempts to reach everyone through creative, genre blurring writing.
Reinforced with a four piece band, dancers and background singers, her live act is known to light the stage on fire with performances at The House of Blues, The Legendary Roxy on Sunset, Utica NY Music Fest, Sweet Auburn Fest, Atlantis Music fest, Apache, The Atrium, Brick by Brick, and Whiskey a Go Go, among others. Imani Chyle is already generating a buzz and captivating diverse audiences, she was nominated at “The People’s Music Awards” (TPMA) 2011 for Best New female Solo artist/Trip-Hop Hip-hop RnB category in the UK, awarded several Platinum Auddy Awards on uPlaya.com and received high scores on Akon’s Hitlab.com, which is only awarded to songs with complete hit song potential. Imani is more than ready to take her career to the next level; and says her greatest desire is to consistently deliver high-energy performances, lyrics with substance, and cutting edge HipRock Soul music for her fans. Chyle consistently updates her twitter so make sure you don’t get left behind!


Detour: Live presents Imani Chyle Live @ House of Blues





Promize™ was formed in early 2000 and has several albums and movie sound tracks to their credit. They have been featured multiple times in Rolling Stone magazine turned down a deal with Sony! and blew away sound scan and hit the CMJ charts without a record deal with there first CD! Had national air play and were recently named Best New Alternative Artist. They have opened for such acts as Smile Empty Soul, Bush, Poison,Peter Wolf,George Lynch, DOKKEN, LA GUNNS and many other major label acts. Although their line-up has changed over the years, their dark and melodic sound has only gotten better with age. Currently working on a new album with original founding members, Dave Manning on drums Leslie on vocals long-time keys man Rob Sweeney, Scotty on bass and backing vocal, new comer Jon boy Zera on guitar and Kelly B on guitar and Vocals. This new album with such tracks as Under Water and Ladder promizes to be the album of their career and the one that breaks the modern rock music scene wide-open with Jim Fogarty (Kill Switch Engage) as producer it should be something to behold! Stay tuned! The cd reason for expectation -vocals and lyrics by Leslie Pasco D Manning music by promize except fly and Hardly wait PJ Harvey Broadcast music BMI lyrics on fly and D Manning promize cd Twilight-vocals and lyrics D Manning music by promize musicpromize all music copy right 2004,2006,2009,2011



Vocals on reason for expectation Lesley Pasco Vocals




Big Blue by PROMIZE on YouTube



Curently working on the new album with amazing DEENOBOY™
Join me at: http://www.ozzmaknews.com for free promotion and more…


Check him out: http://www.reverbnation.com/deenoboy


Need Promotion? Check us out:          http://www.seo-webtraffic.com               http://www.ozzmak.com

 www.majorlabelpromotion.org             http://www.ozzmaknews.com

Are you looking for promotions with all the quality of a major label, but lack the necessary connections? Do you have or have you had a promotion & marketing team that just cannot connect the dots?Have you had someone promise you radio airplay without delivering on that promise?

Are you looking for a team that can help you fix what a past promotion team has already done or simply looking to avoid the pitfalls that you have seen others fall into?

Are you a developing talent who:

  • - Has reached a plateau in the industry
  • - Seeks new/broader markets
  • - Is interested in more brand partnerships/sponsors?

If so we have exactly what you’re looking for! Our team is comprised of major label veterans in promotion, marketing, and A&R. Over the past 4 years we’ve been helping hundreds of artists, managers and labels succeed in an industry that is changing so rapidly, it’s nearly impossible to stay ahead of the curve.
Our goal at Major Label Promotions is to provide more than what a label provides an artist. The “labels” have been notorious at providing promotion and marketing to artists without involving them in what’s happening behind the scenes. Generally the artist is told, “Just be creative and let the label handle the business.” While the artist does need to be creative, an understanding of its business is the key to long term success. The artist is the driving force behind its business and should know about and understand it.

Most of today’s labels, managers and artists outside of the “Major” landscape are simply lacking the necessary tools to effectively develop themselves in an ultra-competitive marketplace.  We give our clients access to all the resources a major label would provide in a personal, more transparent manner. Unlike the major labels, we keep our clients well-informed. We provide a more comprehensive set of services and keep our clients informed as to how and why they are utilized.

“We have so many years of experience working with some of the biggest names in the industry and many amazing artists the majors let fall through the cracks. The music industry in the digital age is a results-oriented industry. The only way to come out ahead as an independent artist or label is with a very lean, innovative and tenacious team of music industry experts. It hasn’t been an easy task to assemble such a great team of executives who can produce results and do so in a cost-effective manner, but I’m proud to say we have done it.” – Co-Founder and Label Promotion Veteran Erik Baker

Services we provide:

  • Management, Label & Artist Consulting
  • Market Development Consulting
  • Brand Partnership Marketing
  • Comprehensive Marketing Plans
  • Social Media Campaigns
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  • Radio Promotion (College & Commercial Only)
  • Website Design & Optimization

We have packages starting as low as $2,500. Contact us today for more info here:


OUR CREDENTIALS Past/Current Artists promoted by our Execs: Country: Tim McGraw, Faith Hill, Vince Gill, Montgomery Gentry, Rascal Flatts, Trace Adkins, Joe Diffie, Collin Raye, Charlie Daniels, Darryl Worley, Terri Clark, Tammy Cochran, Tracy Byrd, Blackhawk, JoDee Messina, Diamond Rio, Jason Link, Etc. Active, Alt & Modern Rock: Shinedown, Trapt, Saliva, Three Days Grace, Crossfade, Thousand Foot Krutch, Skillet, Adelitas Way, Disturbed, Drowning Pool, Trust Company, Adema, Systematic, Sevendust, Tantric, Alterbridge, Circle II Circle, Stereomud, Default, Future Leaders of The World, Ghosts of August, Extreme, Brett Michaels, Ratt, Etc. Pop/Urban/Rhythm: Busta Rhymes, Nelly, Cee-Lo Green, Aaron Hendra Project (AHP), Gnarls Barkley, Outkast, B2K, Jon B, Pall Wall, FloRida, BoA, DJ Speedy, Cypress Hill, Omarion, R. Kelly, Akon, Tryna, Blake Lewis, Adina Howard, Brandy, Usher, Brian McKnight, Edubb, Etc. CCM: Mercyme, Jeremy Camp, Reliant K, TobyMac, Kutless, Jars of Clay, Skillet, Decyfer Down, Thousand Foot Krutch, Building 429, 33 Miles, Avalon, Disciple, Superchik, Britt Nicole, Pillar, Tenth Avenue North, Mikes Chair, After Edmund, Etc.

OZZMAK NEWS:  Acoustic, Acoustic Rock, Adult Contemporary, Alternative, Alternative Rock, Americana, AMR Racing, Articles, Aspiring musicians, Band, Beat Production, Blues, Blues Rock, Classic Rock, Composer, Country, Country Music, Country Rock, Country Rock Share:, Crunk, Dance, Dance Remixes, Dark Wave, Dive Bar, DJ, Dub, Electronica, Electropop, Engineer, Epic Rock, Experimenta, Extreme Metal, Female Singer, Folk, Free Music Dowloads, Gangsta, Gangsta Rap, Glitch Hop, Gospel, Goth, Guitar Player, Hard rock, Hardcore Rap, Heavy Rock, Hip Hop, Horrorcore, Indie, Industrial, Instrumental, Label, MAX-METAL-RADIO, Media, Metal, Midwest Hip Hop, Modern Rock, Music, Music Production, Neo-soul, New Wave, Ozzmak Top News, Pop, Pop Punk, PoP Rock, Producer, PROG-METAL, Progressive Rock, Psychedelic, Punk, R&B, R&B/Soul, Radio, Rap, Record producer, Reggaeton, Rock, Singer, Songstress, Songwriter, Soul, Southern Rap, Spoken Word, Symphonic Hard Rock, Uncategorized, Urban, Urban Pop, Video, World

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Coined by a 70′s ROCK band Steppen Wolf’s “Born to be wild” uttered the lyrics “HEAVY METAL THUNDER”. MAX METAL is a multi generation of classic, 80′s, Alternative, Nu, Heavy, Thrash, Industrial,MELODIC/PROG artist’s to bring you premium high octane rock/metal tunes with exceptional: musicianship, vocals, creativity and FUN atmosphere from all over the world! KEEP it KRANKED @ volume 11!! Maximus Aurelius
WE ARE the BEST period ! We rock from the HEART of AMERICA KANSAS CITY Missouri!!

A Drummers thoughts:

A Drummers thoughts:
KEEP it KRANKED to “11″!!




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Delaney Simpson


Delaney Simpson is a new artist in the San Francisco area. She is a song writer/singer/guitar player. She has four songs and one video recorded. She is in the process of recording 5 more songs. Her fifth recording is to be released within the next 2 months and her next video is soon to follow.

Her music attracts the young because of her edgy emo style while her lyrics attract an older fan base because her words are mature beyond her age.

Delaney loves to sing and play her original songs and covers wherever and whenever possible.


This Dream (Original Song)



All Night Long — the fifth album from Buckcherry — is the vital sound of rock and roll endurance at its very best. It’s not just rock, it’s rock and roll. More than a decade after first establishing its good name with the popular eponymous 1999 debut effort, Buckcherry has created the band’s most eclectic and impressive effort yet.
“We set out to make a great rock record from beginning to end,” says lead vocalist Josh Todd. “That’s always been our quest. When I listen back to All Night Long, I think that this is definitely one of our strongest efforts to date and has a really definitive overall vibe. Now I can’t wait to sing these songs live for people and let everyone hear the results for themselves.”
Today, Buckcherry — Todd, Nelson, guitarist Stevie D., bassist Jimmy Ashhurst and drummer Xavier Muriel — is clearly a band fired up and ready to bring All Night Long alive on a stage near you. “Buckcherry is not a party without the five of us,” explains Keith Nelson. “Though the majority of what you hear starts off with Josh and I, the whole thing only takes on a life of its own when the five of us get together and get rolling. Each one of the guys in the band now is vital to our sound. Stevie is incredibly great to play guitar with, and with the rhythm section, Xavier is the rock and Jimmy is the roll. That’s just the way it is.”
Throughout their already illustrious history, Buckcherry has never been a group to chase trends or fashions. “There’s always a void open for a rock band like us to fill,” says Josh Todd. “I don’t think anyone else does quite what we do. Hey, it’s not that we’re re-inventing the wheel, but we’ve been doing this for over a decade now and part of what makes it work is our chemistry as a band. We don’t sound like anyone else. We sound like Buckcherry. We also don’t put a lot of bells and whistles and samples in our music, and so what you see is what you get.”


“I didn’t do it for money, I did it all for free/I did it all to fill the fucking hole inside of me” – “So Far”Don’t call it a comeback. For Buckcherry founders, lead singer Josh Todd and his co-writer, guitarist Keith Nelson, the band has never really been away, and that urgency comes through loud and clear on FIFTEEN, their first album in four years.

“My desire never left,” says tattooed front man Todd, a whirling dervish on-stage with a classic rock & roll yowl that places the band in a unique space at the crossroads of punk energy and metal power. “I’m a musician, a performer and a songwriter, and I’m still really passionate about entertaining and making records.”

You can hear that intensity on the opening salvo of “So Far” and the first single, the lasciviously leering “Next 2 You,” a collaboration between Todd, Nelson and songwriter Marti Fredrickson (Aerosmith) reminiscent of the band’s smash, “Lit Up.”

“We had to take a break and assess what was important, and that’s creating music that fills what we see as a current void for classic rock with a modern edge,” says Nelson, a self-dubbed “East Coast blues-rock guitar guy” from Beaver Falls, PA. “We were just pulled by so many outside forces from what we set out to do.”

Recruiting guitarist Steve D, drummer Xavier Muriel and bassist Jimmy Ashhurst after an exhaustive search, Buckcherry was energized enough to record their new album in 15 days (hence the title), with Nelson co-producing alongside Mike Plotnikoff and Paul DeCarli. It’s a throwback to an era in which classic discs like Led Zeppelin I were made in a week with a barely contained rush of inspiration and spontaneity.

“We’re very fortunate to have guys playing with us now who are true believers is what we want to do,” says Keith. “I never realized how much fun and creatively inspiring this could be. It’s been a fuckin’ blast.”

“Buckcherry is a rock & roll band. We wanted to get that vibe back which made us so explosive,” agrees Josh. “We went out to find the right guys who had that same mentality. These guys are in for the long haul.”

“Think about what you know/Forget about what you’re told/See how your story grows and let it come from your own mind/Do all your favorite things/Cover it with all your dreams/Breathe it, and smoke it, and fuck it and make it something” “So Far”

The L.A.-based band broke onto the national scene in 1999 with their self-titled debut album, produced by Terry Date and Sex Pistol Steve Jones, for DreamWorks Records. They scored with such hit Modern Rock singles as “Lit Up,” “Check Your Head” and “For The Movies,” prompting Entertainment Weekly to rave, “Coming on like the Black Crowes by way of AC/DC, this L.A.-based band is at its best blasting its way through hard-hitting riff rockers.” Melody Maker boasted, “A band who kick arse cos that’s why God gave us shoes.” Q said “The rumpty-tumpty groove of AC/DC and songs which recall such long-forgotten Sunset Strip bands as Junkyard and Little Caesar… a hugely entertaining record.” Mojo opined: “Establishes itself in adult Beavis & Butthead country… It’s Riffs R Us.”

Buckcherry went on to release the follow-up, Time Bomb, in summer 2000, followed by a successful stint opening for one of their heroes AC/DC. When DreamWorks effectively disappeared within the corporate monolith shortly afterward, though, the group’s momentum stalled, band members split, and Todd and Nelson were left trying to right the sinking ship. It placed a tremendous amount of financial and emotional pressure on the band, which forced them to take a break to reassess its future direction.

While trying to recover from Buckcherry, the duo were recruited by Slash, Duff McKagan and Matt Sorum to play a benefit for the late drummer Randy Castillo which turned into the infamous “G&R Project” and eventually evolved into Velvet Revolver.

“It made us realize how much fun it was to be in a band again,” says Josh. “We began to focus on what mattered—the music—and what Buckcherry represented and believed in. And we were able to turn our disappointment at the label’s demise into a new direction.”

“By the end, I was just so spent dealing with all the egos, I needed to take some time off,” explains Keith, who ended up with a co-writing credit on “Dirty Little Thing” from Velvet Revolver’s hit debut.

The experience recommitted the pair to working together and reforming the band.

“I missed him as a friend,” says Josh. “And it came back together so quickly and effortlessly, we felt, ‘This is the way it’s supposed to be.’ The time away ended up working in our favor.”

The pairing favorably compares to several prominent lead singer/guitarist duos who have fueled some of the band’s major inspirations, a torch that has been handed down from the dawn of rock and Josh and Keith have willingly accepted.

FIFTEEN sports some of the all-out rockers that Buckcherry is known for, like the aggro fury of “Out of Line,” the salacious, Stonesy swagger of “Crazy Bitch,” the balls-to-the-wall “Onset,” the full-tilt Faces rock of “Sunshine” and the anti-war, AC/DC-influenced “Broken Glass.” But there’s also the Bic-flicking, Marti Frederickson co-written power ballad, “Sorry,” the minor key Anglo-rock of “Everything” and the bluesy acoustic ode to “Brooklyn.”

“We went into the studio and vowed not to come out until we had a successful, ass-kicking, career-defining album,” says Josh.

“We entered this process without an A&R guy or a label behind us,” agrees Keith. “There wasn’t a huge payday waiting for us. It was about making a record we were happy with and believed in. At this point, I don’t give a fuck about selling records if I’m not getting off on the music and the people I’m making it with. We learned that we can succeed creatively being self-contained and self-directed if we allowed ourselves to follow our instincts.”

“I’ve been trying all night long cause I want to get next to you.” “Next 2 You”

With FIFTEEN, Buckcherry hasn’t just returned to the scene, they’ve grabbed it by the throat and are back in your face with renewed vengeance.

“I have a lot of pride in the album, a lot of years of experience and knowledge riding on the fact this is an opportunity to do what I do, have a band that’s awesome and I enjoy playing with,” explains Keith. “Once you learn where the potholes in the road are, you can go around them. We’re really fortunate in being able to get back together, absorb those lessons and move forward.”

“That’s the best thing about America,” adds Todd. “You can get a second chance… and I’m very grateful for it.”

On FIFTEEN, Buckcherry have survived the industry to show the world what they’ve always strived to become—a world-class rock band.


Buckcherry – It’s a Party – Official Video





Deathtrap America


Deathtrap America came to form in September of 2010 on a sunny afternoon trip to Seattle. Out of the frustration with the current affairs and hardships of our nation, the idea of DTA presented itself to it’s willing members, JT Locke, Amanda VanderMeer and Steve Cook.
The three musicians, both having been in other projects and armed with the experience of national and international tours, set out to make an album.
Inspired by the rainy months of Portland, the trials and tribulations of everyday life in this nation, and the determination of giving hope to those around them, they achieved their goal.
They have blended the styles of rock, metal, pop, punk and prog rock to result in a sound of heavy, catchy rock and roll they call “Boutique Punk”.
Their aim is to entertain, and wake up the masses to a positive environment with their energetic and interactive live performance.
Deathtrap America brings to you their self titled album is available on itunes right now!


Maxlink AkA Dark Angel


ULTRASTAR? When in the 2nd grade, other kids walked in line to the auditorium, but i marched with the music.Started studing it at the age of ten. Composing at the age 12,Singing at 14yrs. Did’nt know music was a real business, because the trapping was so invisible! Well, thats all changed now,and it’s my pleasure to entertain you!!

Maxlink AkA Dark Angel

As as a child it seemed like i could’nt get enough of western movies,and i am sure that has something to do with my present day life style.I was’nt to fond of music as a child, but i did it anyway. I played kettledrums in grammer school, and piano at home. I was seen by one of  the well known “MOMENTS” who helped me visualize my voice style.At this point in my life i feel that i’m more of an actor/singer/entertainer/arranger.



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